Jumat, 25 Mei 2012

[O108.Ebook] Download Ebook The Girl You Left Behind: A Novel, by Jojo Moyes

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The Girl You Left Behind: A Novel, by Jojo Moyes

Look out for Jojo’s new book, Paris for One and Other Stories, available now.

Another New York Times bestseller by the author of Me Before You, After You, and One Plus One—a spellbinding story of two women united in their fight for what they love most.

Jojo Moyes’s word-of-mouth bestseller, Me Before You, catapulted her to wide critical acclaim and struck a chord with a wide range of readers everywhere. Now, with The Girl You Left Behind, Moyes returns with another irresistible heartbreaker—a breathtaking story of love, loss, and sacrifice told with her signature ability to capture our hearts.

Paris, 1916. Sophie Lefèvre must keep her family safe while her adored husband, Édouard, fights at the front. When their town falls to the Germans in the midst of World War I, Sophie is forced to serve them every evening at her hotel. From the moment the new Kommandant sets eyes on Sophie’s portrait—painted by her artist husband—a dangerous obsession is born, one that will lead Sophie to make a dark and terrible decision. Almost a century later, Sophie’s portrait hangs in the home of Liv Halston, a wedding gift from her young husband before his sudden death. After a chance encounter reveals the portrait’s true worth, a battle begins over its troubled history and Liv’s world is turned upside all over again.

  • Sales Rank: #10370 in Books
  • Published on: 2014-06-24
  • Released on: 2014-06-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.45" h x 1.00" w x 5.48" l, .82 pounds
  • Binding: Paperback
  • 480 pages

From Booklist
Moyes (Me before You, 2012) writes with such clarity that one can almost see the eponymous 100-year-old painting at the center of her wonderful new novel. Also crystal clear are the emotions that protagonist Liv Halston attaches to the portrait. Gifted to Liv by her late husband, David, in celebration of their wedding, The Girl You Left Behind becomes a personal icon, embodying all that was good about their brief marriage. What is less clear is the painting’s provenance and who has the right to assert ownership. Will Liv’s notion of ownership unravel when the artist’s heirs sue to reclaim what they call ill-gotten goods, seemingly misappropriated by German soldiers during WWI? Did the artist’s wife—the subject of the portrait—give or sell it? Can anyone establish a clear trail of legitimate ownership? Does emotional attachment to a work of art have cash value? Can love ever trump greed? At its heart, such questions, thrumming in the background, add depth to what is an uncommonly good love story. --Donna Chavez

Review
Praise for THE GIRL YOU LEFT BEHIND:

"Vibrant and gripping.”
—People Magazine (***)

"Jojo Moyes expertly weaves a bittersweet tale in this irresistible novel, taking careful interest in the dark corners that exist within great love stories, and the trickiness of simple happy endings. A-"
—Entertainment Weekly

“Moyes writes delicious plots, with characters so clearly imagined they leap off the pages in high-definition prose. . . . Clever plot turns make for a satisfying ending . . .  Moyes brings fresh strokes to this story about the power of art and love to transcend what imprisons us. Romantics looking for a story set amid the politics of plundered art couldn't do much better than The Girl You Left Behind.”
—USA Today (3 1/2 stars)

"Jojo Moyes builds on her strengths in this moving and accomplished new novel. As she did in the best-selling Me Before You, she asks readers to think in fresh ways about a morally complex issue. . . . The Girl You Left Behind is strong, provocative, satisfying fiction."
—The Washington Post

"'In this moving paean to daring, determination and perspicacity, Moyes keeps the reader guessing down to the last hankie."
—Los Angeles Times

"Good storytelling."
—New York Daily News

"In her latest heart tugger, Jojo Moyes deftly weaves the story of newlyweds in WWI France with that of a young widow in today’s London."
—Parade

"Lovely and wry, Moyes’s newest is captivating and bittersweet."
—Publishers Weekly (starred review)

"Moyes (Me Before You) has created a riveting depiction of a wartime occupation that has mostly faded from memory. Liv and Sophie are so real in their faults, passion, and bravery that the reader is swept along right to the end. This one is hard to put down!"
—Library Journal (starred review)

"Moyes (Me Before You, 2012) writes with such clarity that one can almost see the eponymous 100-year-old painting at the center of her wonderful new novel. . . .  an uncommonly good love story."
—Booklist

About the Author
Jojo Moyes is the New York Times bestselling author of One Plus One, The Girl You Left Behind, Honeymoon in Paris, Me Before You, The Last Letter from Your Lover, The Ship of Brides, and Silver Bay. She also writes for a variety of newspapers and magazines. She lives in Essex, England.

Most helpful customer reviews

122 of 128 people found the following review helpful.
A mixed bag
By sb-lynn
Brief summary and review, no spoilers.

This book is narrated by two different women at different points in time. The first part of the novel takes place during WWI and tells the story of Sophie LeFevre, who owns and helps run a bar/cafe in a small town outside of Paris. The town has been taken over by Germans and the locals have all suffered from deprivation and oppression at the hands of their captors.

Sophie and her sister Helene are both concerned about their husbands who are French soldiers and possibly in a prison camp or worse. Sophie's husband is a talented and fairly well-known artist named Eduoard, and Sophie's most prized possession is the portrait he did of her shortly after they first met. She has it prominently displayed on the bar wall. When the German Kommandant sees the portrait, he becomes enthralled with it and with Sophie as well. What will happen to Sophie and her family and to their town if the Germans don't leave? And what will Sophie do in order to save her husband and see him again?

The story then moves to the present times and we meet Olivia (Liv) Halston, a woman who's been in a state of depression and grief since the death of her young husband 4 years earlier. Liv is struggling financially and emotionally but things seem to take a turn for the better when she becomes attracted to a man named Paul McCafferty. Paul works for an agency that tries to give priceless paintings stolen by the Nazi's back to their original owners, and when he spots Sophie's portrait in Liv's home, he feels he must take action.

I really enjoyed the WWI parts of this book, which pretty much make up the majority of the first half. I thought this part of the book was stellar and I loved reading about Sophie and the descriptions of her life and of the conditions during the occupation were vivid and educational.

My problem came when we come to the present day. As believable as I found Sophie and the decisions she had to make - I had the opposite reactions to Liv. I didn't buy into her character and found myself often annoyed rolling my eyes at her actions and thoughts. I don't necessarily have to like the characters to like a book, but I think we were supposed to like Liv and at times I just didn't. I also had trouble buying into the relationship between her and Paul.

My biggest problem, and this is without giving away any spoilers, is that I don't like books that try to wrap up all the loose ends with a bow. I thought the book could've had a stronger impact without this and I thought there were way too many coincidences and convenient twists along the way.

So this was a mixed bag for me; I loved the WWI bits but was frustrated by the present-day storyline.

11 of 11 people found the following review helpful.
A literary work of art...
By Maryellen
Did you ever get a gift that started out in a big box and you just kept opening smaller boxes within until you finally got to the real gift? This is what THE GIRL YOU LEFT BEHIND makes me imagine. There are stories wrapped up like gifts between the covers of this book.

The Germans have taken over the small town of St. Pèrrone in France. It is 1917. World War I. Sophie Lefèvre's beloved husband, Édouard, an artist who studied at the Academie Matisse, has been drawn to the front lines of battle. Before Édouard left, he painted a very seductive portrait of his Sophie. Forced to cook for the German soldiers in her family's hotel Le Cog Rouge, where that painting hangs, Sophie and her portrait gain the attention of Kommandant Hencken. Upon hearing that Édouard is in extreme peril, Sophie risks all to save him.

"15 January 1917

Today they took Sophie Lefèvre. Such a sight you never saw. She was minding her own business down in the cellars of Le Cog Rouge when two Germans came across the square and dragged her up the steps and hauled her out, as if she were a criminal."

It is 2006 and Olivia "Liv" Halston has been mourning the death of her husband, David, for four years. Before his death, David gifted Liv with a painting entitled "The Girl You Left Behind". While visiting Spain, David and Liv gave aid to a woman who was being forced to dispose of all of her Mother's property. This painting was to be discarded. Instead David bought the painting for Liv.

Paul McCafferty, recently divorced, works for a successful company that helps to return precious property to their rightful owners. The family of Éduourd Lefèvre, whose paintings have grown exponentially in their value in the last nearly 100 years, want their painting back~~that portrait of Sophie~~the very one that hangs on the bedroom wall at Liv Halston's home. Liv has grown so attached to that painting that she will fight with all she has, and that is very little, to keep it.

Don't stop now. There's another package to open. I love this part.

Louanne Baker is an American journalist sent to the concentration camp in Dachau in 1945 to write a story about the people held there. While there, Ms. Baker is sent instead to a storage facility that houses the stolen and looted works of art that unrightfully fell into the hands of the Nazis. Somehow, when she leaves, that very same portrait of Sophie, has gone with her.

This one painting has touched so many lives. It has ruined some. It has completed some. To whom does this painting rightfully belong?

When the stories above intertwine throughout time, the result is an amazing tale that will leave you reeling. I am simply amazed at the author's ability to see the bits and pieces of this story in her mind's eye and have it come together. Just like a painter seeing the vision of his painting and coating the layers of paint upon the canvas, Ms. Moyes has layered her stories to create a literary work of art. Brilliant. ✰✰✰✰✰

241 of 255 people found the following review helpful.
An amazing read
By Lougrahamii
This book is set in two halves. The first being in France during WW1. Sophia is left struggling to support her sister and her family whilst both their husbands have gone off to war. With the Germans occupying their small village, life is extremely tough and complicated. All she has of her husband is a portrait that he has painted of her.

The second half of the book joins us nearly 100 years later on and we follow Liv's live as she struggles to come to terms with the sudden death of her husband. All she has is the painting he gave her on her honeymoon. This one painting connects the ladies so unexpectedly.

What a wonderful book, heart breaking, emotional and gripping read. Jojo has again written a book that will have you staying up until the early hours as you just have to see what happens next. Extremely well written and will totally engage you. I found the first half of the book so emotional and I was briefly disappointed when we skipped to the present day. However, one chapter in, I was as hooked as I was with the first part. A brilliant book and I one not to be missed.

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Kamis, 17 Mei 2012

[O770.Ebook] Get Free Ebook Mathematics of Interest Rates and Finance, by Gary C. Guthrie, Larry D. Lemon

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Mathematics of Interest Rates and Finance, by Gary C. Guthrie, Larry D. Lemon

Mathematics of Interest Rates and Finance, by Gary C. Guthrie, Larry D. Lemon



Mathematics of Interest Rates and Finance, by Gary C. Guthrie, Larry D. Lemon

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Mathematics of Interest Rates and Finance, by Gary C. Guthrie, Larry D. Lemon

For courses in Actuarial Mathematics, Introduction to Insurance, and Personal/Business Finance.

This text presents the basic core of information needed to understand the impact of interest rates on the world of investments, real estate, corporate planning, insurance, and securities transactions. The authors presuppose a working knowledge of basic algebra, arithmetic, and percents for the core of the book: their goal is for students to understand well those few underlying principles that play out in nearly every finance and interest problem. There are several sections that utilize calculus and one chapter that requires statistics. Using time line diagrams as important tools in analyzing money and interest exercises, the text contains a great deal of practical financial applications of interest theory as well as its foundational definitions and theorems. It relies on the use of calculator and computer technology instead of tables; this approach frees students to understand challenging topics without wilting under labor-intensive details.

  • Sales Rank: #919886 in Books
  • Published on: 2003-11-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x 1.10" w x 7.00" l,
  • Binding: Paperback
  • 480 pages

From the Back Cover

This book presents the basic core of information needed to understand the impact of interest on the world of investments, real estate, corporate planning, insurance, and securities transactions. Needing only a working knowledge of basic algebra, arithmetic, and percents, readers can understand well those few underlying principles that play out in nearly every finance and interest problem.Using time line diagrams to analyze money and interest, this book contains a great deal of practical financial applications of interest theory. It relies on the use of calculator and computer technology instead of tables, covering simple interest, discount interest, compound interest, annuities, debt retirement methods, stocks and bonds, and depreciation and capital budgeting.For those employed in fields of investments, real estate, corporate planning, insurance, and securities, as well as those who wish to understand the impact of interest rates on their own personal finances.

Excerpt. © Reprinted by permission. All rights reserved.

This is a math text with the primary goal of teaching students the mathematical concepts necessary for other courses dealing with finance, insurance, and investments. It presents the basic core of mathematics needed to understand the impact of interest on the world of investments, real estate, corporate planning, insurance, and securities transactions. The value of a good foundation in the mathematical principles of finance and interest becomes apparent if you peruse the mathematics found in an investment or financial management text. Basic ideas like the present value of an annuity, the net present value, the internal rate of return, and discounted cash flows are often burdened with cumbersome notation and messy formulas. The novice learner with no previous experience often finds these to be difficult and perplexing.

This text has avoided the tedious arithmetic and transcription of data from finance tables by requiring the use of financial calculators. We emphasize the use of technology with preprogrammed features, but in the advanced sections we also encourage students to program their calculators. We feel this exercise will give them an understanding of the formulas and how their financial calculators perform the various computations. Because this is a problem-solving course, students will have to demonstrate an understanding that goes beyond the numbers spit out by a calculator. This understanding comes from recognizing and diagramming the structure of the problem so that the application of a formula is natural and not just an educated guess. Our goal is for students to understand well those few underlying principles that play out in nearly every finance and interest problem.

After years of experience teaching this subject, we have developed certain simplifying techniques that have helped many students to have a successful experience in their studies of finance and interest. One of the most interesting principles involving the numbering of payments we have named the Fence Post Principle. This tricky little idea shows up in all walks of life, but especially in business matters. We have also found that the use of the effective interest rate makes calculations involving general case annuities just another annuity calculation without the frustrations inherent in the equivalent payment method. Students are often frustrated trying to decide whether an exercise requires present value or future value, so we teach them how to recognize certain scenarios and clue words that simplify the decision process. Most of our students reach the point at which they always get the present value/future value issue correct.

This text is intended to open the door of financial understanding to many other academic majors besides business, accounting, and the actuarial sciences. Over the years we have received considerable feedback from former students who have expressed appreciation for how this course prepared them for dealing with personal financial matters and investments. Although there are many exercises dealing with business and finance, there are many others that deal with practical issues and the profound effect of interest on the value of money. In fact, the time value of money is the basic principle underlying everything we do in finance. Those who grasp the significance of this principle are not surprised when confronted with a situation where $100 cash can actually be a larger piece of money than, say, $108 located a year from now. To emphasize this principle, we have coined a phrase called the Golden Rule of Finance: Monies cannot be added or reconciled unless they are valued at the same point in time. This concept drives the development of formulas and equations of value so pieces of money can be moved both forward and backward on the time line. Once the student understands where on the time line he or she wants the money, it is an easy matter to pick the right mathematical tool to get it there.

We have tried to personalize the exercises by using first names of individuals as the players in the finance problems to be solved. Most of the names of companies used are fictitious, with a few exceptions. Using the names of real companies can lead to misunderstandings if the data are not factually representative of the financial status of those companies. All problems (even a few with names of real companies) have been made up to serve the same function as any other laboratory learning situation. They are as realistic as possible, but your day-to-day financial dealings will of course be somewhat different. Interest rates are always in a state of flux, so rates in problems and examples that seem a little high for today's market may be too low in a year or two. In the summer of 2003 the prime rate had dropped to 4.00%, an impossibly low figure from the perspective of the mid-1990s, when it hovered around 8% to 9%. Backing up another decade to the 1980s, you find that the prime rate was generally above 9%.

Adaptability of the Text

We envision that this text can be adapted for use at three different levels. They could be identified as sophomore, junior, and senior; but basic, intermediate, and advanced give a better picture. The basic level would serve as a first course aimed at an audience that certainly includes, besides others, finance, management, and accounting majors. The intermediate level would provide a good background and introduction for those headed toward the actuary and insurance professions as well as financial management. The advanced level provides the additional opportunity to apply stochastic processes to finance and interest theory.

Basic Level

For those who wish to cover this material at a sophomore level in a business or accounting program, the theory sections can be omitted without loss. For this use the authors presuppose a working knowledge of only basic algebra, arithmetic, and percents, but nothing more than what would be covered in a couple of years of high school math.

Content: Cover Chapters 1 through 8, but omit the theory sections 1.10, 2.6, 3.3, 3.8, 3.9, and 5.7. This level should concentrate on the Concept and Calculation sections of the exercise sets.

Intermediate Level

Those using this text at the intermediate level would need at least an introductory-level calculus background that covered differentiation and integration along with limits and summation notation.

Content: Cover the basic material in Chapters 1 and 2 in about three class periods, cover all of Chapters 3 through 8, and four sections of Chapter 9. Give special attention to the theory sections 1.10, 2.6, 3.3, 3.8, 3.9, 5.7, 9.1-9.4. These theory of interest sections are very important to those headed toward the actuary field. Programmable calculators should be used for the Chapter 9 material. This level should plan to do a representative amount of the Concept and Calculation exercises but should do all of the Theory and Extension exercises.

Advanced Level

Those at the advanced level should not only have a Calculus prerequisite but a mathematics statistics class with adequate experience with the normal distribution from an applied as well as a theoretical standpoint. This material will assume the student can handle expected value, variance, covariance, and the lognormal distribution.

Content: Cover the same material as the intermediate level with only 1 or 2 class periods on the basic material of Chapters 1 and 2, plus all of Sections 9.5-9.9. This level should plan to do a limited amount of the Concept and Calculation exercises, all of the Theory and Extension exercises, and all of the exercises in Chapter 9.

Notation

There is a fair amount of diversity of notation among finance, investment, and actuary work. Our goal in choosing notation was two fold: (1) Keep it as simple as possible for the student learning this material, and (2) use dual notation where possible to make future transitions to other texts as smooth as possible. We have used all the basic interest theory notation that is familiar to those in the actuarial field but have tried to use more user-friendly notation in areas where the very compact methods of notation are easily forgotten with disuse. As an example of this, in Chapter 9 we use a notation for present value of a variable payment annuity with arithmetic difference. The nice feature of the user-friendly notation is that those teaching actuarial science students can use the SOA notation with our text with little or no difficulty.

To the Student

The style, presentation, and features of this text are presented with the student in mind. You should have a sense that you are sitting in our class as we make every effort to help you grasp the concepts. After we introduce and explain new concepts and principles, we try to have several relevant examples to reinforce and clarify those principles. Your goal in the study of the mathematics of finance and interest should be to gain a solid understanding of the few, but important, concepts presented in this text. When you understand what a formula does, it will be easy to remember. It will be a tool in your hand, not a burden on your back. In fact, there are not very many formulas, and what there are have been presented so they are not a mystery. Even within the theory sections every effort has been made to simplify and focus on the key elements. You will be using a financial calculator to perform all the tedious tasks like multiplying two ten-digit numbers, but punching buttons to get the correct answer is far less important than the underlying concepts. Plan to make extensive use of time lines to organize and visualize the exercises. A good time line often makes the needed steps and choice of a formula jump right out of the given information. You should carefully study the examples in the text and even work them out on your own. But if you merely use the examples as templates for working the exercises, you may find yourself deficient in the ability to reason out test questions that ire slightly different. Strive for understanding.

Some words of caution and direction are in order about exercise sets. The exercises are divided into three types: concept and short answer exercises; calculation exercises; and theory and extension. As a further student help, Appendix D contains a complete worked-out key for all of the concept and short answer exercises, for the odd-numbered calculation exercises, and for theory and extension exercises. Such a key is a valuable aid to learning, but it can also be the road to ruin if you believe that copying the key is doing the homework. Each section's homework remains incomplete until you understand and are comfortable with the concepts in that section.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I love this book
By C.S.
I love this book. Really clear on instructions and lots of examples. Would almost say to many. No you can't ever have enough examples but hopefully you all get my point.

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
Very powefful book.

0 of 0 people found the following review helpful.
Five Stars
By mjcdchess
excellent

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Minggu, 13 Mei 2012

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Whatever your fitness regimen, health goals, or daily routine--this massive book of 100+ smoothie recipes has a recipe for every occasion. Potassium-rich bananas, free radical-fighting blueberries, nutrient-rich spinach, succulent mango, or light and sweet almond milk, every delicious natural ingredient you can think of pairs up in this smoothie bible for devoted followers of the healthy smoothie revolution that's sweeping the nation.

Author Farnoosh Brock shares her knowledge, discoveries, useful tips, and lessons learned from years of making smoothies and getting healthier from the powerhouse of nutrition from these drinks. She gives you the full scoop on how to get started, how to keep it simple, how to listen to your body as you add healthy smoothies into your life and how to heal your body and return it to harmony using the magic of your blender.

Wondering how to stay motivated after the initial excitement wears off? How to make smoothies quickly and efficiently while still keeping it fun and fresh? Farnoosh talks you through all of those situations, and gives you tips on how to manage each as you move forward with The Healthy Smoothie Bible.

So start your blenders--and enjoy this comprehensive resource about every aspect of the wonderful world of healthy smoothies!

Skyhorse Publishing, along with our Good Books and Arcade imprints, is proud to publish a broad range of cookbooks, including books on juicing, grilling, baking, frying, home brewing and winemaking, slow cookers, and cast iron cooking. We’ve been successful with books on gluten-free cooking, vegetarian and vegan cooking, paleo, raw foods, and more. Our list includes French cooking, Swedish cooking, Austrian and German cooking, Cajun cooking, as well as books on jerky, canning and preserving, peanut butter, meatballs, oil and vinegar, bone broth, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

  • Sales Rank: #4093 in Books
  • Published on: 2014-04-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.60" h x 1.00" w x 7.60" l, .0 pounds
  • Binding: Hardcover
  • 256 pages

Review
All of the 'smart habits' Farnoosh talks to her readers about are the ones she practices in her own life. She keeps it real. Forbes

About the Author
FARNOOSH BROCK left a successful career at a Fortune 100 corporation to start her own company, Prolific Living, Inc., to pursue her passions of writing, holistic health, career coaching and entrepreneurship. She helps you create your ideal lifestyle by simplifying your nutrition, adopting a positive powerful mindset, building smart daily habits in your life, and achieving your career goals. She's in love with green juices and healthy smoothies because they have restored her health and happiness. When she is not writing or blogging or whipping up a healthy drink, she is doing her yoga practice, traveling to an exotic location and inspiring others to live better fuller lives.

Most helpful customer reviews

197 of 202 people found the following review helpful.
Best smoothie book!
By Angie
I can't figure out why this book is so much better than other smoothie books I've seen, but I am loving this book. The smoothies are so easy to make, don't require a ton of ingredients, and are so healthy. I love how she doesn't use dairy but is still able to produce thick "smooth" smoothies. Her writing style makes this a very easy read. I had no idea you could freeze avocados! She has great tips and I feel like I don't have to buy a bunch of weird ingredients or fill my blender all the way to to top with random ingredients to render a great smoothie. She also adds spices to some of her recipes which is something I hadn't really thought of (aside from adding fresh herbs, vanilla or cinnamon). I'm not a super novice smoothie maker, but I'm definitely not super experienced either. Sometimes making smoothies can be a little overwhelming because I think it's easy to get in a rut and get bored with the ingredients (and I'm not creative enough to think them up on my own). She offers such variety that I don't think that would happen. And I love that she labels them (such as Green Lover, Meal Replacement, Low Fruit, etc.) Oftentimes I'm looking to make a smoothie as a meal replacement so I can find those quickly without reading through all the ingredients. Love love love this book! ;)

122 of 126 people found the following review helpful.
Delicious AND healthy?! I'm all over it!
By Julie
OK, so I'm not a huge fan of greens and green juicing. To say the least.
But with this book, I've found a new love for smoothies...even with greens! I call it "drinking a salad" - but it's SO DARN GOOD! It's my pick-me-up in the morning, and sometimes I go for another one at the afternoon just to get re-fueled to finish my dat strong.
I highly recommend this book - it has a recipe for everyone.
What I love most is that Farnoosh answers every question i might think of - it's like she's in my head, and every time I get a question - there she is, answering it in the book. Absolutely amazing!
Try it- you'll never look back:)

110 of 115 people found the following review helpful.
I love this book! Read it and you will be inspired!
By Christina Canters
Looking at the cover, I assumed this was a recipe book, and yes, there are plenty of recipes. But Farnoosh isn’t playing around – this really is a smoothie bible! Everything you’ve ever wanted to know about healthy smoothies is in here, plus everything you didn’t know you needed to know!

If you squirm at the thought of drinking your spinach, take a deep breath, Farnoosh is here to help. She breaks down the basics of smoothie-making and shares simple steps on how to start building a smoothie habit. She encourages you to find what works for you, to start slowly, and to work to simple ingredient ‘formulas’ (ie fruit + fruit + green) as opposed to a strict recipe. I like that!

If you’re a seasoned smoothie drinker, you’ll still learn plenty of new tricks. I thought I knew green smoothies, but after reading the book I discovered:
+ The importance of switching up your ingredients (I think I was on a banana/bok choy/ginger run for a good 6 months…)
+ Banana and berries aren’t the only fruits that can be frozen. You can freeze chunks of mango, peaches, figs, avocado and pineapple too!
+ You should drink your smoothie SLOWLY. I am a massive culprit for gulping them down.

So whether you’re just starting out or already a smoothie enthusiast, I know you’ll totally be inspired by Farnoosh and her passion for helping you reach a new level of health through green smoothies. Go for it!

See all 367 customer reviews...

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Thievery (Akron Series in Poetry), by Seth Abramson

Here is a book that is truly quietly deeply subtle. It appears to operate along the lines of here is how one thing follows another; it appears to rely on anticipated cause and effect to spring us forth from one fraction of a split second’s thought to the next. There are many and then actions in this book. What follows comes as a surprise sometimes even when it shouldn't. For instance, at one poem’s conclusion it says: An archer shoots. That’s what an archer does. And this is astonishing. And then it is almost heartbreaking and then one must do a double take and then there is poetry. ―Dara Wier A few rare holdouts to the contrary, American culture is loud, unsubtle, insensitive, needy, exhausting, cheaply convenient, unreflective, and above all, distracted. What has been happening behind the scenes during all the years we haven’t been paying attention? What world have we given ourselves and what have we given up in that shallow exchange? Such observations are deeply implied by the poems in Seth Abramson’s Thievery. At the bottom of this book is the sense that we’ve been ripped off and don’t even know it yet. That we have allowed it has left us stunted, morally and spiritually, with no greater sense of wonder than a Styrofoam cup. Abramson is not preaching, however: he is telling the melancholy, lonely truth.―Maurice Manning

  • Sales Rank: #2851674 in Books
  • Published on: 2013-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .25" w x 6.00" l, .35 pounds
  • Binding: Paperback
  • 80 pages

About the Author
A graduate of Dartmouth College, Harvard Law School, and the Iowa Writers' Workshop, Seth Abramson is the author of two previous collections of poetry, Northerners (Western Michigan University Press, 2011), winner of the 2010 Green Rose Prize from New Issues Poetry & Prose, and The Suburban Ecstasies (Ghost Road Press, 2009). Presently a doctoral candidate (ABD) in English Literature at University of Wisconsin-Madison, Series Co-Editor for Best American Experimental Writing (forthcoming from Omnidawn in 2014), and a contemporary poetry reviewer for The Huffington Post, he has published work in numerous magazines and anthologies, including Best New Poets (University of Virginia Press, 2008), Poetry of the Law (University of Iowa Press, 2010), AGNI, American Poetry Review, Boston Review, Colorado Review, Harvard Review, jubilat, New American Writing, and Poetry. In 2008, he was awarded the J. Howard and Barbara M. J. Wood Prize by Poetry.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A quiet insistence that transports mind and spirit
By onze
Whatever your understanding of spirit - ephemera, igniting force, divine guidance - these pages go there.

This poetry eludes me even as it grabs me by the throat:

I mean the small strummed cord
in the slit in your back.
The shape of the thing that crushes you.

I am not ready to say why it is important to me, but I will tell you I have read it twice through and once more just opening it page by page.

3 of 5 people found the following review helpful.
reveals the reader to himself as if for the first time
By John Michael Albert
Seth Abramson is a superb modern poet. Deservedly, his poetry appears in many fine journals. And he proven a champion of modern poetry and MFA programs in superbly written essays that can easily be researched on the net. Seth is the real things. I've carefully followed his work since a friend pointed out a poem of his in Poetry magazine. I included several of his poems in an anthology I edited called The Poets' Guide to New Hampshire. So, if you're inclined to question praise, there are my disclaimers.

His new book, Thievery, is a strong successor to Suburban Ecstasies and Northerners. Suburban Ecstasies, as the title might hint, was a gorgeous paean to language at its most opulent, its most gorgeous, its most generous. Northerners followed with a book that demonstrated Abramson's virtuosity in several argots, from that of the down-and-outs he might have represented in his days as a public defender in Manchester NH to the academic elite he rubs shoulders with in pursuit of his calling. Thievery, in turn, is a rich exploration of colloquial speech, with a Shakespearian sort of twist. The poems here ennoble the common man, elevate what he has to say and how he says it, to the level of earnest discourse. Ultimately, it all boils down to what it means to be human, how to fill the great gap of time between birth and death, and how to meet the causal and accidental challenges encountered along the way. Abrahmson has a keen ear for the music in speech. The reader is often carried along on a wave of energy that helps him follow the larger meaning of a monologue or a dialogue as it folds over and over itself.

I can only add that, on many occasions, while reading individual poems in this book (and immediately re-reading them), I recognized myself on very specific occasions in my life. I'm still trembling from reading "The Fire Door." What a surprise! And how precisely Seth's craft accomplishes exactly what poetry is supposed to do when it is at its best: reveal the reader to himself as if for the first time.

See all 2 customer reviews...

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    • Sales Rank: #45623 in Books
    • Published on: 2015-07-31
    • Original language: English
    • Number of items: 1
    • Dimensions: 11.00" h x .80" w x 8.50" l, 1.82 pounds
    • Binding: Paperback
    • 375 pages

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    The DC Comics Guide to Writing Comics, by Dennis O'Neil

    For any writer who wants to become an expert comic-book storyteller, The DC Comics Guide to Writing Comics is the definitive, one-stop resource!

    In this valuable guide, Dennis O’Neil, a living legend in the comics industry, reveals his insider tricks and no-fail techniques for comic storytelling. Readers will discover the various methods of writing scripts (full script vs. plot first), as well as procedures for developing a story structure, building subplots, creating well-rounded characters, and much more. O’Neil also explains the many diverse formats for comic books, including graphic novels, maxi-series, mega-series, and adaptation. Of course, there are also dozens of guidelines for writing proposals to editors that command attention and get results.

    • Sales Rank: #135952 in Books
    • Brand: Watson-Guptill
    • Model: 1720854
    • Published on: 2001-05
    • Released on: 2001-06-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.40" h x .40" w x 7.50" l, .98 pounds
    • Binding: Paperback
    • 128 pages
    Features
    • Used Book in Good Condition

    Amazon.com Review
    There must be dozens of books on how to draw comics, but even the best artists need to tell a good story. Who can teach them? Dennis O'Neil. A comics writer and editor for more than 20 years, O'Neil oversees DC Comics' Batman titles--one of the most successful comics franchises ever. In addition, he's a bestselling novelist, a screenwriter, and a writing teacher. So when it comes to storytelling, O'Neil knows his stuff. In this guide he delivers his knowledge in a succinct, no-nonsense style.

    O'Neil explains three-act story structure and examines subplots, characterization, and methods for developing drama and suspense. He then applies these concepts to comics' specific forms: graphic novels, miniseries, maxiseries, and the rare megaseries (such as Batman: No Man's Land, a year-long über-narrative played out across five comics titles). As in good comics, words and images work together in this book. Every idea is illustrated by panels or pages from great moments in DC Comics lore. Especially illuminating are the script excerpts that come paired with the comic book pages they describe.

    Strangely, the book ignores the visual side of comics writing. Modern comics scripts specify shots, angles, and blocking in movie-director fashion, but that craft is never addressed. (DC has a good opportunity here for a second volume.) However, what this book sets out to teach--storytelling--it does quite well. Aspiring comics writers won't just learn theory, they'll be empowered, because O'Neil provides a framework for crafting new tales. --J.B. Peck

    From School Library Journal
    Adult/High School-This witty, clear, and concise guide is tailored to those who want to create comics. O'Neil is adamant that there is no One True Way, although he stresses the importance of practice. He discusses story structure, characterization, script preparation, and other general writing topics. He also covers those more specific to comics writing such as miniseries, maxiseries, and continuity. O'Neil addresses the visual component of the art, the importance of page layout, and the relationship between the writer and the artist. He concludes with a short essay, "Writing Humor Comics," by Mark Evanier. The book is lavishly illustrated with black-and-white examples from various DC comics. In addition, the author includes many pages of scripts, which are usually juxtaposed with the finished page. He provides excellent advice and guidance for beginners. Although the examples focus on DC characters and stories, the content should have broad appeal. This is a nice balance to the many how-to-draw-comics books in most collections. Even for nonwriters, the book is interesting for the background look it provides into how comics are created.

    Susan Salpini, Fairfax County Public Schools, VA

    Copyright 2002 Cahners Business Information, Inc.

    From Booklist
    O'Neil has been scripting comics professionally for nearly two generations, and he offers much good sense and valuable information about his craft. Although an ex-Marvelite endorsed in a foreword by Stan Lee himself, O'Neil's principal experience has been with DC, for whom he started with Batman and Superman and proceeded to most of the other titles in the company's catalog. He provides everything from a basic glossary, complete with visual examples, of scripting concepts to advice on characterization--something vulgarly and erroneously supposed not to exist in comics--to guidance on work habits and concludes by discussing the various kinds of comic books, broadly conceived. He exemplifies from DC's stable, which may make the book enticing to even the fan who isn't particularly interested in becoming a scripter. But above all, O'Neil addresses the universals of writing in a way that makes the book useful to all aspiring scripters, regardless of their knowledge of comics. Roland Green
    Copyright © American Library Association. All rights reserved

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Dennis O'Neil's insight on story tell is a great resource for beginners
    By Kindle Customer
    Dennis O'Neil's insight on story tell is a great resource for beginners. One could spend a thousand dollars for a college coarse and not get as much information about writing as this book Well worth it.

    0 of 0 people found the following review helpful.
    Three Stars
    By Amazon Customer
    product was handled poorly

    0 of 0 people found the following review helpful.
    One of the best books in a great series
    By J. Lyon
    The DC Comics Guides are great. And this is one of the best in the series. It gives clear cut practical advice alongside inspirational examples and hints. The structure of the book makes it easy to find that one thing you need, and this book has lots of information an aspiring writer needs. Compared to other books on the same subject, this one stands way above most.

    See all 75 customer reviews...

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    Selasa, 08 Mei 2012

    [Y630.Ebook] Ebook Free Eveline: The Amorous Adventures of a Victorian Lady (Unexpurgated) (Wordsworth Classic Erotica), by Anonymous

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    Eveline: The Amorous Adventures of a Victorian Lady (Unexpurgated) (Wordsworth Classic Erotica), by Anonymous

    In these adventures Eveline demonstrates that the apparently most moral stratum of Edwardian society is secretly, the most debauched.

    • Sales Rank: #3084070 in Books
    • Published on: 1999-12
    • Original language: English
    • Number of items: 1
    • Dimensions: 7.75" h x 5.00" w x .50" l,
    • Binding: Paperback
    • 208 pages

    Most helpful customer reviews

    35 of 39 people found the following review helpful.
    Poor girl needs to come up for air!
    By A Customer
    This also was my first try at reading erotica. I thoroughly enjoyed it. I had previously been told that male erotica writers aren't very good, so I was very leary of reading this.
    Eveline is the account of a young female's (18+) sexual encounters and deals with many issues that, though I don't agree with, find highly arousing. Some of the issues are incest, rape (though she seemed to enjoy it, so is it truly rape?), voyeurism, plus more. The most arousing thing about this book for me was her taste for big men. She has a variety of lovers with an age group ranging from young to old.
    I would like to have seen more detail and feel that romance books are more to my tastes, because they put more feeling into the act. Eveline, on the other hand, was more of a nymphomaniac that wanted it from whomever and whenever she could get it. To each his own...thank goodness, huh?
    I am now reading MY SECRET LIFE by "Walter". It is a wonderful story and I am learning quite alot! Check it out, as well!

    22 of 25 people found the following review helpful.
    Victorian era nymphomaniac?
    By Rudolf Spoerer
    Eveline is a 1987 reprint of a 1904 book of the same name published by Grove Press and now part of the Blue Moon series ....
    I only give it 3 stars since it is a very erotic account of the life and mostly erotic experiences of a Victorian lady. The book is written in the first person and generally sticks to Evelines feelings and thoughts and the development of her character ....
    To say that she has her mouthfull thru most of the book would be an understatement as Eveline manages to seduce pretty well all the men around her.
    Also, the differences of this book and others that are in my library is that the sex is pretty straight by erotic standards. has little same sex escapades and almost no S&M of any kind ...
    As a first book into the realm of erotic writing I would recommend it highly ...

    0 of 0 people found the following review helpful.
    Five Stars
    By RC Triker
    Got it for my wife but must admit, it is hot!

    See all 6 customer reviews...

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    [B651.Ebook] Free Ebook E.A.R.L.: The Autobiography of DMX, by DMX, Smokey D. Fontaine

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    E.A.R.L.: The Autobiography of DMX, by DMX, Smokey D. Fontaine

    The dark journey of a boy who became a man, the man who became an artist, and the artist who became an icon. A talent for rhyme saved his life, but the demons and sins of his past continue to haunt him.

    This is the story of Earl Simmons.

    • Sales Rank: #159904 in Books
    • Published on: 2003-10-21
    • Released on: 2003-10-21
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.00" h x .91" w x 6.00" l, 1.12 pounds
    • Binding: Paperback
    • 352 pages

    From Publishers Weekly
    With lyrics that balance an extremely bleak view of urban ghetto "thug life" with a deep spiritual yearning for communion with God, DMX (Earl Simmons) has produced four consecutive No. 1 releases over the past six years, making him one of the undisputed superstars in the hypercompetitive world of hip-hop. On the eve of his fifth release, DMX (with Fontaine, the former music editor of the leading hip-hop magazine, The Source) has chosen to tell his own version of his already well-publicized life story. Born to a single mother in the projects of Yonkers, N.Y., DMX led a life of "running, robbing, rapping" for his first 25 years, serving numerous jail terms until being discovered by the legendary rap record company Def Jam. But this is no quickie celebrity biography: the obvious model is Claude Brown's Manchild in the Promised Land, the classic tale of the rise and fall and redemption of a tough inner-city youth. Like Brown, DMX is unsparing in describing the details of his hard life, including the brutal beatings he experienced at the hands of his mother and her boyfriends and the ease with which he adapted to his incarcerations ("I was used to sleeping on hard surfaces, used to eating rotten food"). As successful as his best recordings ("It's Dark & Hell Is Hot") in describing the tension between the author's street and spiritual sides, this is a painfully honest account of how one individual overcame "a lifetime of suffering" by discovering and believing in his lyric talent.
    Copyright 2002 Reed Business Information, Inc.

    From Library Journal
    Simmons's rise from impoverished child in Yonkers, NY, to successful hip-hop artist DMX known the world over is indeed an inspiring tale. But here the performer, aided by Fontaine (former music editor of The Source magazine), puts a bit too much emphasis on his violent formative years. Readers must wade through endless accounts of fights, beatings, and compromising positions involving the subject before reaching DMX's later critical and commercial success. Curiously, his artistic accomplishments are given only cursory treatment when they deserve much more; only serious fans will be interested in all the minutiae of his life revealed here. Although this is the first book devoted to DMX, libraries would do better to wait for a more balanced treatment. Not recommended. [DMX will release a new album in December, which may generate some demand for this book; because it will attract many YAs, librarians should take into account its graphic content.-Ed.]-Caroline Dadas, Hickory Hills, I.
    --Caroline Dadas, Hickory Hills, IL
    Copyright 2002 Reed Business Information, Inc.

    From Booklist
    In this as-told-to, rappin' gangsta DMX tells his ultragritty, ultrawack, ultrathug life story. Simmons took the name DMX from a drum machine, ostensibly because he was "nice with the beats" and "liked the three letters and thought it would be cool to make them stand for different things." (Like what?) He is more specific about the pits in his path, such as estrangement from his mother and being near-fatally beaten when accused of a hold-up (he says he was innocent but probably deserved the walloping for other transgressions). He read "Mad from cover to cover" and once liked Led Zeppelin, despite hearing "Stairway to Heaven" nightly. So similar to previous rap bios that it won't help you make sense of the music, this is still a must-have item because of Simmons' high-profile music-video presence. So close your eyes to the mayhem and concentrate on the beautiful sentiments: "I sold my soul to the devil, and the price was cheap. / Hey, yo, it's cold on this level 'cause it's twice as deep." Mike Tribby
    Copyright © American Library Association. All rights reserved

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Vivacious!
    By F
    I love DMXs music and he as a person seems to be so vivacious! This book was captivating, alluring and held my interest from start to finish! I even learned a bit about Hip Hop and music. Not a dull moment in this read!

    Many prayers to he and his family. He seems like such an lively person, despite his troubles..

    0 of 0 people found the following review helpful.
    very vivid and detailed
    By Shane
    Dmx provides detailed memories about his childhood,school life,early troubles with the law,his revolving door life in and out of different group homes,his troubles with his mom,strained relationship with his father who left home at a very early age,he explains in detail what he remembers thinking and going through certain times in his life,his book is very impressive with his memory,he explains meeting his ex wife....opening acts for big names in the early 90's
    all his battles in Yonkers and in other clubs through out NYC..
    he explains the birth of his first son,his struggles with his first manager and failed attempts to successfully achieve a record deal.
    He also vividly tells stories about his love for stray dogs,and his reputation earned by selling his mixtapes in Yonkers to finally getting a deal with Ruff Ryders Def Jam in 97...

    0 of 0 people found the following review helpful.
    DMX 4 LIFE, Worth Buying!!!
    By Ary Centeio
    Whether your a fanatic of DMX or not you would enjoy reading this Book despite of his Dark Life! As a Huge fan of DMX I had to buy this book and I am very pleased with it! I already knew his struggles in general based on his Music & behind the music documentary; but this book gives you enough details about his life and he's very entertaining when it comes to his stories! He's Truly an Icon, a true Hero, a Survival Child!!! Trust & Believe you will love this Book!

    See all 78 customer reviews...

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